Arab American Literary Fictions, Cultures, and Politics
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N.B. this is a 'Palgrave to Order' title. Stock of this book requires shipment from overseas. It will be delivered to you within 12 weeks. Using literary and social analysis, this book examines a range of modern Arab American literary fiction and illustrates how socio-political phenomena have affected the development of the Arab American novel.
The Development of Arab-American Identity
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What do Arab-Americans think of traditional American values? How do they perceive their treatment as new immigrants? Have they been seriously alienated from the dominant culture? The Development of Arab-American Identity offers an account of the Arab-American experience from the early immigration to the present day. After the historical background has been set, the essays in this book deal with the struggle for religious, political, cultural, and social identity, all of which involve coping with unconscious and conscious stereotyping and marginalization of Arabs and Arab-Americans.
Food for Our Grandmothers
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This groundbreaking collection creates a space in which Arab-American and Arab-Canadian feminists speak out about issues of history, culture, and identity. While anti-Arab racism depicts Arab women as veiled, passive victims living in hopelessly sexist communities, Food For Our Grandmothers analyzes and challenges these inaccurate and distorted views.
Hadha Baladuna
Arab American Book Award winner; a Michigan Notable Book for 2023; Finalist in the Next Generation Indie Book Awards; a Community Reads selection for University of Michigan, Dearborn! Hadha Baladuna ("this is our country") is the first work of creative nonfiction in the field of Arab American literature that focuses entirely on the Arab diaspora in Metro Detroit, an area with the highest concentration of Arab Americans in the US. Narratives move from a young Lebanese man in the early 1920s peddling his wares along country roads to an aspiring Iraqi-Lebanese poet who turns to the music of Tupac Shakur for inspiration. The anthology then pivots to experiences growing up Arab American in Detroit and Dearborn, capturing the cultural vibrancy of urban neighborhoods and dramatizing the complexity of what it means to be Arab, particularly from the vantage point of biracial writers. Included in these works is a fearless account of domestic and sexual abuse and a story of a woman who comes to terms with her queer identity in a community that is not entirely accepting. The anthology concludes with explorations of political activism dating back to the 1960s and Dearborn's shifting demographic landscape. Hadha Baladuna: Arab American Narratives of Boundary and Belonging contains stories of immigration and exile by following newcomers' attempts to assimilate into American society. Editors Ghassan Zeineddine, Nabeel Abraham, and Sally Howell have assembled a cast of emerging and established writers from a wide array of communities, including cultural heritages originating from Lebanon, Palestine, Iraq, and Yemen. The strong pattern in Arab Detroit today is to oppose marginalization through avid participation in almost every form of American identity-making. This engaged stance is not a byproduct of culture, but a new way of thinking about the US in relation to one's homeland.
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Abundance from the Desert provides a comprehensive introduction to classical Arabic poetry, one of the richest of poetic traditions. Covering the period roughly of 500-1250 c.e., it features original translations and illuminating discussions of a number of major classical Arabic poems from a variety of genres. The poems are presented chronologically, each situated within a specific historical and literary context. Together, the selected poems suggest the range and depth of classical Arabic poetic expression; read in sequence, they suggest the gradual evolution of a tradition. Moving beyond a mere chronicle, Farrin outlines a new approach to appreciating classical Arabic poetry based on an awareness of concentric symmetry, in which the poem's unity is viewed not as a linear progression but as an elaborate symmetrical plot. In doing so, the author presents these works in a broader, comparative light, revealing connections with other literatures. The reader is invited to examine these classical Arabic works not as isolated phenomena--notwithstanding their uniqueness and their association with a discrete tradition--but rather as part of a great multicultural heritage. This pioneering book marks an important step forward in the study of Arabic poetry. At the same time, it opens the door to this rich tradition for the general reader.
Briefly tells the background of the 1001 Nights and includes its stories of demons, kings, slaves, princesses, and viziers.
Chronicles of Majnun Layla and Selected Poems brings together in one volume Haddad's seminal work and a considerable selection of poems from his oeuvre, stretching over forty years. The central poem, Chronicles of Majnun Layla, recasts the seventh-century myth into a contemporary, postmodern narrative that revels in the foibles of oral transmission, weaving a small side cast of characters into the fabric of the poem. Haddad portrays Layla as a daring woman aware of her own needs and desires and not afraid to articulate them. The author succeeds in reviving this classical work of Arabian love while liberating it from its puritanical dimension and tribal overtones. The selected poems reveal Haddad's playful yet profound meditations. A powerful lyric poet, Haddad juxtaposes classical and modern symbols, and mixes the old with the new, the sensual with the sacred, and the common with the extraordinary. Ghazoul and Verlenden's masterful translation remains faithful to the cultural and historical context in which the original poetry was produced while also reflecting the uniqueness of the poet's style and his poetics.
The Muqaddimah, often translated as "Introduction" or "Prolegomenon," is the most important Islamic history of the premodern world. Written by the great fourteenth-century Arab scholar Ibn Khaldûn (d. 1406), this monumental work established the foundations of several fields of knowledge, including the philosophy of history, sociology, ethnography, and economics. The first complete English translation, by the eminent Islamicist and interpreter of Arabic literature Franz Rosenthal, was published in three volumes in 1958 as part of the Bollingen Series and received immediate acclaim in the United States and abroad. A one-volume abridged version of Rosenthal's masterful translation first appeared in 1969. This Princeton Classics edition of the abridged version includes Rosenthal's original introduction as well as a contemporary introduction by Bruce B. Lawrence. This volume makes available a seminal work of Islam and medieval and ancient history to twenty-first century audiences.
Nahj at-Batdghah, the celebrated compendium of orations, letters, and sayings of 'Ali ibn Abl Talib (d. 40/661) compiled by al-Sharif al-Radi (d. 406/1015), is a masterpiece of Arabic literature and Islamic wisdom studied and memorized avidly and continually for over a thousand years. Showcasing 'All's life and travails in his own words, it also transcribes his profound reflections on piety and virtue, and on just and compassionate governance. Tahera Qutbuddin's meticulously researched critical edition based on the earliest 5th/11th-century manuscripts, with a lucid, annotated facing-page translation, brings to the modern reader the power and beauty of this influential text, and confirms the aptness of Radi's title, "The Way of Eloquence."
Arab Americans in Film
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Selected for Arab America's Best Arab American Books of 2020 list. It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging--how and why they vary, and what's at stake in their circulation.
Arab American Women
Arab American women have played an essential role in shaping their homes, their communities, and their country for centuries. Their contributions, often marginalized academically and culturally, are receiving long- overdue attention with the emerging interdisciplinary field of Arab American women's studies. The collected essays in this volume capture the history and significance of Arab American women, addressing issues of migration, transformation, and reformation as these women invented occupations, politics, philosophies, scholarship, literature, arts, and, ultimately, themselves. Arab American women brought culture and absorbed culture; they brought relationships and created relationships; they brought skills and talents and developed skills and talents. They resisted inequities, refused compliance, and challenged representation. They engaged in politics, civil society, the arts, education, the market, and business. And they told their own stories. These histories, these genealogies, these narrations that are so much a part of the American experiment are chronicled in this volume, providing an indispensable resource for scholars and activists.
Poetics of Visibility in the Contemporary Arab American Novel
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How might art disrupt Arabophobia and Islamophobia in the US? In Poetics of Visibility in the Contemporary Arab American Novel, Mazen Naous argues that fiction is one of the ways in which Arab Americans can correct dominant narratives of themselves with representation of their lived realities. Looking at both the aesthetics and politics in contemporary Arab American novels, Naous demonstrates that the novels' poetics cannot be extricated from or subsumed under political content. In his finely textured analyses of form and style, Naous uncovers crucial transcultural and transpoetic solidarities that extend beyond the politics of representation. Naous's book offers analyses of Diana Abu-Jaber's Arabian Jazz and Crescent, Rabih Alameddine's Koolaids: The Art of War, Laila Halaby's Once in a Promised Land, and Mohja Kahf's The Girl in the Tangerine Scarf as ways to answer this question. Naous explores how these novels negotiate queer desire, music, Western and Middle Eastern art, gender, and relationships between other minorities. These poetics enable readers to see the nuance and richness of Arab American experience. Naous ultimately argues that fiction creates crucial spaces for reimagining and redefining intercultural relationships.
Residential Patterns of Arab Americans
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Holsinger examines the ways that race and ethnicity are manifest in the urban landscape by analyzing the segregation and neighborhood characteristics of Arab Americans. The study focuses on Arab American communities in four metropolitan areas, New York City, Los Angeles, Detroit and Chicago. In general, locational outcomes of Arab Americans reveal disadvantage relative to other white ethnic groups, with exposure to whites decreasing dramatically during the last decade of the twentieth century. However, neighborhood quality is explained by socioeconomic and immigrant status. The advantage experienced by this diverse population relative to non-White racial and ethnic minorities suggests that immigration history, racial status and human capital shape the residential experience of Arab Americans.